In the Sierra  Madre Oriental's         lush mountainous landscape, an eight hour drive south of the  Texas border, lies hidden one of the most intriguing and least known  artistic monuments of the 20th Century, Las Pozas. On the grounds of a  former coffee plantation, beside a cascading mountain river that drops  through nine bathing pools         ("Las Pozas"), eccentric English millionaire Edward James spent         25 years from the early 1960's to his death in 1984 creating in  reinforced         concrete an extraordinary and unique garden of surrealist  sculptures, some reaching as high as         30 meters and all inspired by the surrounding tropical  vegetation.
          There was rejoicing recently among garden-lovers at the footage of this    remarkable jungle garden which was shown as part of Monty Don's BBC    television series Around the World in 80 Gardens. Here at last was firm    evidence that the garden had not literally fallen down and been consumed by    the jungle, as had been rumoured. In fact Las Pozas is in fine fettle,    lovingly maintained by a dedicated team of gardeners. English eccentric and    patron of surrealism Edward James built this place over 20 years starting in    the Fifties - a labyrinth of outlandish buildings and structures can be    discovered strewn across some 80 acres of jungle, which is always on the    verge of overwhelming it. Las Pozas means "The Pools", and a    series of waterfalls gurgles away beneath platforms and hair-raising    walkways, suspended in the jungle canopy. 
Today the magic of Las Pozas can be         experienced,         from within as James himself intended, and across the road from the main garden entrance,         is         the only private portion of these gardens.    Recently restored as a private residence by international award-winning architect Christopher H. L. Owen, the aptly named Casa de Los Peristilos and two of James' more famous sculptures: Homage de Max Ernst and Casa de las Plantas, also restored by the owner/architect. 
Born to immense wealth and         privilege in 1907, James led a life that  imitated the surrealist art he loved and collected.         
As a young man, he turned his back on the rigid aristocratic circles of Edwardian England to which he belonged,         becoming a patron of numerous artists. Amongst them Dalí, Ernst,         Magritte, Man Ray, Picasso and Stravinsky to name only a few.
Years         later, in 1964, he abandoned the intellectual, social, and artistic circles of London, Paris, New York, and         Los Angeles for the jungles of Mexico.
In Xilitla he lived with his close         friend Plutarco Gastelum, a Yaqui Indian, and his family.  Plutarco would later become James' construction foreman at Las Pozas.Over a 20-year period         and at a cost exceeding 7 million dollars they built more than 36 surrealistic structures in         reinforced concrete that         are dispersed throughout this magnificent site.
During          his entire life besides being a         patron to many artists James also wrote and published poetry, and was a         founder of the NY City Ballet, but it was in his design and building of Las Pozas that he         finally fulfilled his dream in becoming a true artist.
Las pozas is indeed a fantasy, an outpouring of the creative mind of a person with resources to express himself without constraint.
James renders his visions in stone and concrete; the jungle responds with rioting vegetation.
James renders his visions in stone and concrete; the jungle responds with rioting vegetation.
Seven snakes represent the seven deadly sins; evil lurking in the undergrowth.   
Bromeliads smother old trees; concrete fantasies mimic plants, thrusting upward toward the light
|      A great flower blooms in a jungle clearing. Rows of curved arches resemble  remains of some long-decayed monster. Mute creatures lurk in dark pathways. A gothic structure futilely tries to impose some kind of order. A cataract, maybe 100 meters high, falls in the dim light. The gardens are large; they range over 60 mountainside acres. I spent an entire day shooting images, but I didn't have time to see it all. Some Xilitla residents regularly visit. One told me that after four years, she still makes new discoveries.     Las Pozas has been described as surrealistic, and I suppose it is. I would call it primal. Here, art amplifies nature. Like Stravinsky's Rite of Spring, Las Pozas reeks fecundity. Primitive, lustful things live in this ancient jungle.  
  |        ||||






No comments:
Post a Comment